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In 2004, PÜA were introduced to the world via their "Iron Woman" album, a furious and raucous collection of scathing digital hardcore feminist anthems, appropriately released through Atari Teenage Riot vocalist Hanin Elias' Fatal Recordings label, and well received by fans and critics alike.
In the three years following this release, the riot-starters of PÜA have been FSU. Shortly after Iron Woman was unleashed, the band's founders-- Diesel and Remy-- relocated to Motor City, where they soon were put in touch with the legendary gutter cunt Emma. She joined Diesel on vocals to help create a fierce, memorable live show. From loft parties in Eastern Market to the DEMF, from street festivals to the Alec Empire-endorsed Toronto Digital Hardcore festival, PÜA has spent the last few years ripping up stages and testbombing new tracks.
The first hint of what's to come can be found on PHALLUS ÜBER ALLES' newest release, "Les Femmes De La Guerre", a powerful EP that includes remixes of their stand-out track "Brawl at the Boys & Girls Club" as well as their new shout-along anthem, "Fuck the Radio." These new tracks have sweaty, bloody breakcore bitches pumping their fists and trashing their tuners. As of 2007, PÜA has added another member, guitarist and longtime friend Favst, a kick-ass Detroit musician that has released several solo CDs and remixed Goteki, among others. There are plans to release another PÜA EP this year, as well as live tracks, more remixes, and several limited edition collaborations with other friends in the underground.
"Though I've changed a lot since I was a 14 year old punk rocker equipped with mohawk and all, my politics havent much, and certain punk related things will always give me a proverbial aesthetic boner. For instance, feminist politics and loud, fearless female vocalists are two punk rock things that will always be dear to what's left of my heart. So it makes sense that I dig PHALLUS UBER ALLES, what with them being a loud, kickass female fronted DHR band and all.
There are honestly only three original songs on "Les Femmes De La Guerre", with the other 4 tracks being remixes of older material ( save for the remix of "F%$& the Radio"). Not that the remixes are bad or anything, but you just can't help but want more new tracks, since the ones that are represented here all kick total fucking ass, from the anthemic "F%@# The Radio" to the oddly retro singalong of "Beefed Up". But Regardless of my whining, all of the tracks kickass. I'm definitely looking forward to a new PÜA full length. If you like your DHR loud and raw, you have no excuses for not downloading this album. Viva la revolucion!" -INDUSTRIAL.ORG
In the three years following this release, the riot-starters of PÜA have been FSU. Shortly after Iron Woman was unleashed, the band's founders-- Diesel and Remy-- relocated to Motor City, where they soon were put in touch with the legendary gutter cunt Emma. She joined Diesel on vocals to help create a fierce, memorable live show. From loft parties in Eastern Market to the DEMF, from street festivals to the Alec Empire-endorsed Toronto Digital Hardcore festival, PÜA has spent the last few years ripping up stages and testbombing new tracks.
The first hint of what's to come can be found on PHALLUS ÜBER ALLES' newest release, "Les Femmes De La Guerre", a powerful EP that includes remixes of their stand-out track "Brawl at the Boys & Girls Club" as well as their new shout-along anthem, "Fuck the Radio." These new tracks have sweaty, bloody breakcore bitches pumping their fists and trashing their tuners. As of 2007, PÜA has added another member, guitarist and longtime friend Favst, a kick-ass Detroit musician that has released several solo CDs and remixed Goteki, among others. There are plans to release another PÜA EP this year, as well as live tracks, more remixes, and several limited edition collaborations with other friends in the underground.
"Though I've changed a lot since I was a 14 year old punk rocker equipped with mohawk and all, my politics havent much, and certain punk related things will always give me a proverbial aesthetic boner. For instance, feminist politics and loud, fearless female vocalists are two punk rock things that will always be dear to what's left of my heart. So it makes sense that I dig PHALLUS UBER ALLES, what with them being a loud, kickass female fronted DHR band and all.
There are honestly only three original songs on "Les Femmes De La Guerre", with the other 4 tracks being remixes of older material ( save for the remix of "F%$& the Radio"). Not that the remixes are bad or anything, but you just can't help but want more new tracks, since the ones that are represented here all kick total fucking ass, from the anthemic "F%@# The Radio" to the oddly retro singalong of "Beefed Up". But Regardless of my whining, all of the tracks kickass. I'm definitely looking forward to a new PÜA full length. If you like your DHR loud and raw, you have no excuses for not downloading this album. Viva la revolucion!" -INDUSTRIAL.ORG
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